What Dickens did for the poor children of Victorian London, Crane accomplishes in Maggie, A Girl of the Street for turn–of–the–twentieth–century New York. Combining his skill and experience as a journalist with his poet’s sensitivity, Stephen Crane gives us such graphic depictions of life in the slums, they read more like photographs than paintings. You’re not really teaching Crane if all you study is The Red Badge of Courage and The Bride Comes to Yellow Sky.
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